|
Article published Sep 18, 2008
Band ‘Caught Up’
with originals
By ANDREW S. HUGHES
Tribune Staff Writer
Jim Robinson had no intention of forming
another band when he invited Steven Barr and Rebecca LeVeque over
for a jam session a little more than two years ago.
Then he heard LeVeque’s voice and some of her original songs, and
suddenly, the three of them were asking Bruce Langton to play
keyboards and guitar and Frank Santilli to play drums with them.
“She played one of her songs, and I was really impressed with it,”
Robinson says about that first jam session and ZONIXX the Band’s
beginning. “Once you play a lot, it gets in your blood, and the
music sounded great and I thought this would be an opportunity to
play out again. … I was impressed with her voice. There was
something different, and there seemed to be an honesty in her
voice.”
Now, ZONIXX will release its debut album, “Get Caught Up,” with a
gig at the Midway Tavern on Saturday, two weeks to the day after
Barr and LeVeque married.
“I went down to Rebecca’s basement just shortly after I had started
dating her, and they were playing some music I didn’t recognize, but
it was really good,” Barr says about discovering LeVeque’s
songwriting talent. “I asked who had done that song and she said, ‘I
wrote that song.’ It amazed me that she was just doing this in her
basement and not letting it go, not getting it out there.”
Not so, anymore. From the beginning, ZONIXX has incorporated its
originals — mostly LeVeque’s pop-rockers, but three of the other
band members also write — into their set lists of classic and
contemporary rock.
“They like you to do cover tunes,” Langton says about most audiences
at area clubs. “Us being artists, we like to do our originals. As we
do our gigs, if there are 10 songs per set, we’ll throw in a couple
of our tunes. As the evening goes on, we’ll ask if the audience
wants more originals, and sometimes they say yes, which is real
nice.”
Robinson, who has played in Mack Pherson & the Struts With Jackie
Pittman, Skybolt and The Jimmy James Band, says it was “exciting” to
finally be able to record one of his songs — “Gossip Tree” — with a
band.
“I’ve done mostly cover tunes, and every time I’ve mentioned
originals in other bands,” he says, “they’d say, ‘Maybe some day,’
and that day never materialized.”
Robinson’s “Gossip Tree” has an ominous, slow-burning ’70s hard rock
feel to it, while Barr’s “I Wasn’t Looking” has a late-’60s electric
blues-rock feel, and Langton’s “Don’t You Understand” has a similar
pop-rock feel to it as LeVeque’s songs.
On “Get Caught Up,” that aspect of LeVeque’s songwriting comes
through on such songs as “Lipstick” and “Crash Landing,” while
“Push” has an edgy, defiant outlook and the title song has an
urgent, upbeat feel to it.
“Sometimes, when you just want to tune out and forget about things,
it’s fun to pick up your guitar and come up with a new melody,
something you’ve never heard before,” she says about songwriting and
cites Alanis Morrisette, Heart and The Cranberries as influences. “A
subject comes up and is in my head, and I’ll build on that idea. I
use to write poems.”
LeVeque “begged” for a guitar for her 13th birthday, got one and
took lessons and learned from various musician friends after that.
One of those musicians was Santilli — the two have known each other
since they were teenagers, and, he says, he used to sneak her into
Peddler’s Pub to play her guitar.
“Her songs were always rock ’n’ roll but on acoustic guitar,” he
says about LeVeque’s songs. “A lot of people would try to push her
into a folk or country category, but it isn’t. … This band has been
nothing but a good thing. It’s made the music stronger and tighter.”
LeVeque agrees about both the former perception of her songs and the
effect the band has had on her music.
“For years, my music was just acoustic and it was just myself, so it
was a softer style and would almost sound like a folk sound,” she
says. “It’s evolved into a fuller sound. It sounds better. I like
the fuller sound of the band. It makes it more of a rock style.”
For eight years, LeVeque worked at the Woodwind and Brasswind, and
while there, she bought equipment and started holding Friday-night
jam sessions in her basement.
“It was a fun thing to do, but it helped me learn how to play with
other musicians because my songs weren’t structured,” she says. “I
just played in a freestyle.”
After she and Barr started dating, Santilli convinced the two of
them to form an acoustic trio with him to play gigs at The Volcano
restaurant before Barr’s chance run-in with Robinson that led to
ZONIXX’s formation.
“We just happened to meet at just the right time,” LeVeque says
about forming the band. “I finally had the opportunity to meet with
the right musicians at the right time. Sometimes, I wish we were all
in our 20s, but it wouldn’t have happened because we wouldn’t have
our life experiences. I hadn’t planned to play in a band. It just
happened, and so far, it’s been good.”
As for “Get Caught Up,” the band looked inward to design the album’s
cover: Three of the band’s members, after all, are professional
artists. Barr and LeVeque work as graphic designers, and Langton is
a fine artist and an illustrator for children’s books, including “H
Is for Hoosier,” which is used across the state to teach Indiana
history to fourth graders.
“It was my idea originally to have us standing around a back alley,
like we were outside a lounge or tavern taking a break,” Langton
says about the back cover photo, taken in the alley behind
McCormick’s Coney Island in South Bend. “It started raining, which
is cool because that happens at gigs. Steve and Rebecca were dancing
in some, and then somebody said, ‘Pretend you’re putting on some
makeup.’ As soon as she did that, we knew we had to move ‘Lipstick’
to the No. 1 slot (on the CD). Sometimes you get happy mistakes.”
Barr came up with the concept for the album’s title, “Get Caught
Up.”
“Steve and Rebecca’s original concept was to have the broken TV out
there,” Langton says, “and it was meant to say, ‘Throw the TV out
and go out and see some live entertainment and get caught up.”
|